Showing posts with label Editors. children's Authors. Show all posts
Showing posts with label Editors. children's Authors. Show all posts

Friday, August 10, 2012

Final Call for 2013 NESCBWI Conference Proposals


August 27th brings with it the close of
2013 New England SCBWI Conference Proposals,
so take a moment and submit your most awesome idea today! 
Proposal Due Date: August 27, 201
Presenter Notification Expected: October 15, 2012
For Additional Information go to NESCBWI

Presenters from New England who send in more than one, well-crafted and detailed proposal will receive preferential consideration. Also, you may be asked to present your workshop twice during the conference. You might consider doing a 120 or 180 minute presentation and then tweaking it to fit a 55 minute format. With so much talent in our New England and surrounding regions, bringing you together to share knowledge and skill is what makes New England SCBWI the largest regional conference.
Types of Presentations:
55-minute workshops; 120-minute intensives; 180 studios w/15 minute break.

To Submit a Proposal: Please complete a conference proposal form. Separate submissions are required for multiple presentations or workshop/intensive versions of the same presentation. 

Selection Criteria and Topics
Every year SCBWI New England receives so many excellent proposals, more than can fit into a conference schedule. Therefore, we must choose on the basis of experience, quality, variety, novelty, attendant costs, and other factors. Please use the 2013 NESCBWI Workshop Rubric for more explicit selection criteria and standards.

We would love to see presentations on the following topics. If you are an expert on one of these topics, we would love to see your proposal.
  • Hands-on writing workshops that spotlight elements of craft: outlining, story arc, tools, tips, character, dialogue, sketching, etc.
  • Hands-on illustration workshops
  • Publishing 201 session for intermediate authors or illustrators
  • Developing an idea from conception to completion
  • How to complete a Detailed Novel Outline
  • Secrets of Story Arc
  • How to lay out a picture book dummy
  • How to start your own publishing company
  • Gesture and emotion for illustrators
  • School and library visits and promotion
  • Grassroots Marketing strategies to libraries and other overlooked venues
  • Writing nonfiction articles and short stories
  • Mystery writing, organizing your mystery
  • Planning Out Clues
  • How to write chapter books
  • How to design an eBook
  • Writing Teen Romance
  • What I publish/represent and why
  • Historical Fiction for middle grade and YA - What makes it work!
  • How to reinvent yourself as a writer and reignite your career
  • What exactly happens at BEA, ALA, Frankfurt, Bologna and how can it help you with book sales? 
  • How to write suspense for MG & or YA
  • Illustration techniques - making the magic happen
  • Defining the terms: High Concept, Realistic Fiction, Magical Realism, etc.
Got Questions? Ask in the comments section below!

Monday, June 18, 2012

Reunited by Hilary Weisman Graham

I had the opportunity to attend the pre-launch party on Saturday for Reunited by Hilary Weisman Graham. Really what this party consisted of was helping to set up the most amazing book launch prop created by Kirsten Cappy of Curious City and watching Hilary's excitement grow as everything came together.

Kirsten Cappy & Hilary Weisman Graham at the REUNITED book Launch
I was lucky enough to also be at the head of the line for Hilary to sign my book so I didn't have to wait in the heat of the day.

Hilary Weisman Graham signing her book, Reunited
Congratulations, Hilary!

Wednesday, June 13, 2012

Call for Proposals 2013 NESCBWI Conference



Call for Proposals NESCBWI 2013 Conference Word-By-Word: The Art Of Craft
It's that time of year when we start looking for the amazing workshops, intensives, and panels for next year's conference.

Here is what we are looking for:

The workshop committee of New England SCBWI welcomes proposals for the 2013 Spring conference, "Word by Word: The Art of Craft."

Art of craft is always at the forefront of a venue like ours. This year’s focus will be on improving ones crafting the various parts of writing and illustrating NEEDS MEGA WORK HERE!

We'd like to invite more intensive, hands-on workshops and advanced and master level studio proposals that focus on a specific aspect of the craft and would love to see more than one proposal from each you. Of course, larger lecture-style workshops are still welcome as well.

This is one of the largest regional SCBWI conferences, and last year we sold out the conference in two weeks. We welcome proposals from everyone involved in the world of children’s writing and publishing.

Important Information
Conference Dates: Friday afternoon through Sunday afternoon, May 3-5, 2013
Conference Location: Sheraton Springfield Monarch Place Hotel, Springfield, MA
To Submit a Proposal: Please complete
a conference proposal form. Separate submissions are required for multiple presentations or workshop/intensive versions of the same presentation.
Proposal Due Date: August 27, 2012
Presenter Notification Expected: October 15, 2012
Types of Presentations: 55-minute workshops; 120-minute intensives; 180 studios w/15 minute break

We will give presenters who send in more than one, well-crafted and detailed proposal preferential consideration. Also, you may be asked to present your workshop twice during the conference.

NOTE: Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, Advanced, or Master)

55-minute workshops
What are we looking for?
  • Presentations that relate to our conference theme of Word-By-Word: The Art of Craft.
  • A wide range of craft related presentations for all SCBWI members, including illustrators and writers in all genres.
  • Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, advanced, or Master)
  • Leveled presentations. We are not trying to find one presentation that everyone can attend. Instead, presenters should direct material toward a specific experience level. For example, an "advanced" illustration presentation should not begin with "Why you should carry a sketch book," and a "beginner's" writing workshop should not address marketing a contracted novel. 
  • Presentations that last 55 minutes in their entirety. When planning, leave time for participant questions and any required audiovisual setup.
  • Intensives that last 120 minutes and focus on specific pieces of the craft. i.e. story arc, character development, sex in YA, etc.
  • Focused presentations with clear learning outcomes. These should be clear, tangible "final products" that attendees take away. Plan the presentation thinking, "I want participants to leave with these tools or a real understanding of this piece of the craft." A few examples: How to map out an in-depth revision, a step-by-step outline or map, creating a storyboard, A first draft of a non fiction proposal, how to develop initial sketches, etc.
  • Hands-on workshops where attendees spend significant time working on current writing, illustration, or marketing project so they can apply your presentation content to their own work.
  • Engaging lecture-style presentations filled with information that participants can take back to their desks to ponder and play with. 
  • Presentations that include a range of examples. Attendees have expressed they want less presentations that draw solely from the presenter's experience or body of work.
  • Presenters who are published members of SCBWI, as well as editors, agents, MFA graduates, and other industry professionals. Past presentation experience is appreciated.

NOTE: Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, Advanced, or Master)

120-minute intensives
Intensive proposals should meet all of the criteria listed above for 55-minute workshops. Also consider the following:
  • 120-minute intensives typically take place on Sunday, but there will be several slots for Saturday Advanced and Master level workshops.
  • Two hours are provided; so plan exercises or some interactive element in the workshop. An intensive should not only be a lecture.
  • Presentations that include a range of examples. Attendees have expressed they want less presentations that draw solely from the presenter's experience or body of work.
  • Past presentation experience and in-depth knowledge of the topic are required.
  • Partner presentations are welcome.

Note: If you apply to present a 55-minute workshop or a 120-minute intensive and we feel your presentation may better fit the other format, we will let you know!


NOTE: Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, Advanced, or Master)

180-minute Studios
Studio proposals should meet all of the criteria listed above for both 55-minute and 120-minute workshops. But you must also consider the following:
  • 180-minute, 12 person studios will focus on Advanced and Master level authors.
  • Three hours are provided, so plan accordingly for intensive working sessions.
  • These include attendees submitting samples for you to review ahead of time.
  • Past presentation experience and in-depth knowledge of the topic are required.
  • Partner presentations are welcome as long as both are willing to work with a larger number of attendees. Total number in studio would be 24.

Note: If you apply to present a 55-minute workshop or a 120-minute intensive and we feel your presentation may better fit the other format, we will let you know!


Selection Criteria and Topics
Every year SCBWI New England receives many excellent proposals, more than can fit into a conference schedule. Therefore, we must choose on the basis of experience, quality, variety, novelty, attendant costs, and other factors. Please use the 2013 NESCBWI Workshop Rubric for more explicit selection criteria and standards.

We would love to see presentations on the following topics. If you are an expert on one of these topics, we would love to see your proposal.
 
  • Hands-on writing workshops: outlining, story arc, tools, tips, character sketching, etc.
  • Hands-on illustration workshops
  • Publishing 201 session for intermediate authors or illustrators
  • Developing an idea from conception to completion
  • Secrets of Story Arc
  • How to lay out a picture book dummy
  • How to start your own publishing company
  • Gesture and emotion for illustrators
  • School and library visits and promotion
  • Grassroots Marketing strategies to libraries and other overlooked venues
  • Writing nonfiction articles and short stories
  • Mystery writing
  • How to write chapter books
  • How to design an eBook

Sunday, April 29, 2012

Y is for YOU Made It!

On day left in the A to Z challenge and this year, I've made it! This being my second year, I knew what I was up against. I had a better plan, a list of ideas and several set in stone topics to write about. This planning, made it so much easier.

What this challenge has really done is made me sit and write, every day for a month. No excuses. This has established a new pattern for me. One that makes me think of writing every day. After I write my A to Z post, I've been working on an outline for a new book.

I only spend 20 minutes researching the different themes that I want to include, it keeps me writing.

This is an exciting time. This idea that has been with me, festering for a few years, now feels fresh and new. I can't wait to work on it more.

So tomorrow is Z and I look forward to to it, knowing that I and many others have made it through this challenge. 

I finish with more than I started. Thank you!


Wednesday, April 25, 2012

T is for Training

Training yourself to do anything takes time. You have to train to break bad habits and to build new ones. Writing daily is a habit, but you can form this habit by writing daily.

Recently, (okay, last week) I started training for the C25K. The first day was horrible. I could only make it through 6, 60 second runs. But the second day, I made it through 8. The third day, I did all 9.



I thought that if it gets easier and easier the more you do it, why don't I put this same concept into practice for my writing? So yesterday, I wrote for 20 minutes. Today, I wrote for 23 minutes. I do have a job and still want to run, but if I manage my time, I can do a little of everything on a regular basis.



How to Make Writing a Habit
Do this three times a week.

  • Brisk five-minute free write warmup. Write about anything: grocery list, character traits, setting.
  • Then alternate 60 seconds of writing and 90 seconds of reviewing, do this 8 times for a total of 20 minutes. 
Before you know it, you aren't stopping to review what you've written, instead you are writing for 20 minutes.


Monday, April 23, 2012

Quality Books

Quality Books! That's what Pugalicious Press is all about. My "Partner-in-Publishing," Jen Carson and I, have been so impressed with the many wonderful manuscripts we have received for consideration.we are amazed at the amount of talent out there. And you are a talented bunch of writers!

You can review the guidelines here.

But think long and hard about whether your manuscript is polished draft. Because most often, we reject because they aren't. The ones we accept are.

So if you want to be let into the Doghouse, send us your very best.


Friday, August 19, 2011

NESCBWI 2012 Conference Reminder


I'd like to remind everyone that proposals for workshops at the 2012 NESCBWI conference are due September 16th! Use the link on this page to submit one:

http://www.nescbwi.org/2011/07/nescbwi-2012-conference-call-f.php

Also, we're seeking volunteers for the 2012 conference. Please fill out this survey if you are interested in helping out:

http://www.nescbwi.org/2011/08/call-for-conference-volunteers.php