St. Lawrence Ripples

My dad, Murray Shor, is so awesome! He's 82 and has been an editor, columnist and writer most of his adult life. A few weeks ago he calls me up and ask me if I might consider helping him to self publish a book.

I was like, you bet! 

His book, St. Lawrence Ripples, is a compilation of twenty columns he wrote in 1957 for the the newspaper in Potsdam, New York. His columns were all based on historical documentation and told the many stories and tall tales that inundated that area, some going back to the early 1700s.

It debuts March 1, 2014 as a Softcover and eBook.

ISBN:978-0-9915237-0-2  

 

Designed by 3Petal Books

O is for Owl

I love owls. I'm not sure why. It's not because they move their heads around like Linda Blair in The Exorcist.

That's just creepy!

It's more about how unique they are.

And, how there are so many different types of owls

They are creatures of the night. They eat their prey whole and regurgitate the bones. All these things are cool yet scary.

Journey to Publication

The journey to publication is different for everyone. With today's rapidly evolving publishing arena, options are open to emerging authors who are not afraid of taking the plunge into self publishing, now repackaged as Indie Publishing.

The stigma of self publishing is still alive. Many who work in traditional publishing continue to turn up their noses at Indie Publishers because the quality of the end product doesn't meet certain perceived standards.  It's true that there are many self published books that are less than perfect.  This was and still is for many, because of the cost involved in hiring talented editorial and copy editors, the cost of designing a brilliant cover, and the cost of having it professionally designed.

This is all changing at lightning speed. Yes there are still many Indie published books that are less than perfect but there are many that are very good and so affordable.

And don't overlook the small press, they are having a significant impact on bringing, often overlooked, great books to print.

 RESOURCES

All Indie Publishing

Independent Publishers & University Presses

Nathan Bransford on Indie Publishing

The 2012 Indie Publishing Contest

And check out #indiechat on Twitter, Tuesday nights at 9:00.

Where is your publication journey taking you?

New Arrival!

I came home to a box with copies of The Casting!

Matched

When I walked into the house, Crossed by Allie Condie was on the kitchen island waiting for me.

My kids, both book lovers, were calling dibs before I could even rip the plastic wrap from it. Before I could enjoy the cover.

I smoothly and very mom-like, swatted away their grubby, little book-stealing hands, ran from the room and hid it from them until I can start reading.

I plan on reading it this weekend. Maybe, I'll start it tonight and read it straight through the night until finished. It's been a very long time since I've done that.

What are you reading this weekend?

NESCBWI 2012 Conference

It’s closer than you think….

Calling All Illustrators! Ilustrators Day 11/19/2011

Casey Girard (your new Illustrator Coordinator) and Anna Boll (Northern New England Regional Advisor) are thrilled to announce Illustrator Day! 

When: Saturday, November 19, 2011 (I know it?s short notice. Quick, go sign up!) 
Time: 1:00-6:00 
Where: Emma Blood French Auditorium (The French Building) on the New Hampshire Institute of Art campus in Manchester, NH. 

NEW ~ PRIZES! That's right you could with some cool illustrator stuff.
Sketchbooks, drawing supplies, even a copy of Pocketful of Posies - A treasury of Nursery Rhymes By Salley Mavor

Registration: Click Here!

The schedule for Illustrator Day 2011 will be as follows: 
1:00-1:30 Registration 
1:30 Welcome 
1:45-2:45 Keynote: Salley Mavor, Golden Kite Winner 2011 
5 min break 
2:50-3:50 Carol Goldenberg, Award Winning Book Designer 

25 min snack break 

4:15-5:00 Repeat of Carlyn Beccia and Jennifer Morris' Digital Painting Duels from NESCBWI Spring 2011 Conference 

5 min break 

5:00-6:00 continued Digital Painting Duels 

You can find a map Here!

To register and for additional information follow this link: http://tinyurl.com/illustratorday-registration 

Registration Fees for SCBWI Members and Students: $50 all day Public Registration Fee: $75 all day.

Send your check to Anna Boll at 17 Rich Rd. Brunswick, ME 04011, or you can pay at the door. 

More questions? Anna: NorthernNERA@nescbwi.org or Casey: casey.girard@gmail.com

Here it is! NESCBWI 2012 "Keeping it Real" Conferenece

I can only give you a glimpse of things to come but we did change things up.

Registration opens January 23, 2012. Get your manuscripts and agent quick queries ready! Deadlines for submitting for critiques close early for the upcoming conference due to the dates being in April.

Kudos to Jen Carson for all she's done with her work on the newest version of the postcard and in such a teeny-weenie amount of time.

Calling ALL Volunteers for NESCBWI 2012!

We need you to make 2012 the best conference ever!

Only 251 days until the conference.

Want to volunteer?

Click here to complete the volunteer survey.

The New England SCBWI annual conference is entirely organized and run by volunteers, so help is vitally needed and greatly appreciated. This is one of the largest regional SCBWI conferences, and last year we sold out the conference in two weeks. This year, the theme is "Keeping it Real: Reality and World-building in Fiction, Nonfiction, and Illustration" and the conference will take place April 20-22, 2012 at the Sheraton Springfield Monarch Place Hotel, Springfield, MA.

Please complete the conference volunteer survey if you are interested in helping out. Getting more involved in the NE-SCBWI conference is a great way to meet accomplished authors, illustrators, editors, and other publishing professionals.

Volunteers are needed to assist with many different aspects of the conference. Conference weekend volunteers are responsible for tasks during the conference weekend only, and will be trained that weekend. We also need volunteers to help select workshops for the conference. The Workshop Selection Committee will meet on October 2, 2011 in Holden, MA to choose the best workshops out of all the proposals submitted.

We are also seeking volunteers to take on roles with greater time commitment and involvement. If you are interested in any of the following volunteer positions, please email nescbwi12@gmail.com with your full name, contact information, and a brief explanation of why you feel you would be a good fit for the position.

Open Volunteer Positions

Special Interest Group Coordinator

Special Interest Groups are informal discussions meant to promote networking and discussion on topics of mutual interest. For example, past Special Interest Groups have discussed writing fantasy, using Twitter, and digital illustration. The Coordinator will need to solicit topics for the groups, find and recruit volunteers to lead the discussions, create signage for the tables, and make sure that the event runs smoothly.

Contact nescbwi12@gmail.com if you are interested in this position.

Book Signing Coordinator

Authors and illustrators who present at the conference are invited to sign books. The Book Signing Coordinator is responsible for contacting and scheduling faculty for the signing, coordinating with the conference book seller to ensure that their books are available, and figuring out the best set-up for the book signing room, including line management.

Contact nescbwi12@gmail.com if you are interested in this position.

Assistant Critique Registrars

The Critique Registrar takes every manuscript submitted for a critique at the conference, organizes them by genre, and submits them to appropriate editors and agents. The Registrar also puts together the schedule of critique meetings. Assistant Critique Registrars will work with the Registrar to manage this process and deal with critique requests and scheduling issues. We are looking for volunteers who live in the Burlington, MA area.

Contact nescbwi12@gmail.com if you are interested in this position.

Open Mic Coordinator

Open Mic night was popular this past year, so we would like to offer this event again in 2012. The Open Mic Coordinator will plan the open mic night (or nights) and will be there to ensure that the event goes smoothly.

Contact nescbwi12@gmail.com if you are interested in this position.

Door Prize Coordinator

The Door Prize Coordinator will solicit prizes to give away during the conference weekend, organize the prizes at the conference, and come up with a fun, creative, and efficient way of conducting the raffle.

Contact nescbwi12@gmail.com if you are interested in this position.

Poster Showcase Coordinator

The Poster Showcase Coordinator organizes and runs the Illustrator poster contest at the conference. The Coordinator will come up with a concept for the contest, solicit prizes for the winners, present the prizes to the winners, and take charge of set-up and take-down of the contest.

Contact nescbwi12@gmail.com if you are interested in this position.

Portfolio Critique Coordinator

Art Directors give portfolio reviews at the conference. This Coordinator will seek out Art Directors who are interested and available the weekend of the conference to critique portfolios, and will manage the portfolio critique schedule.

Contact nescbwi12@gmail.com if you are interested in this position.

Portfolio Display Coordinator

This year, we are interested in adding a location for illustrators to display their work. The Portfolio Display Coordinator will recruit illustrators to take part in the display, and will manage set-up and take-down of the room.

Contact nescbwi12@gmail.com if you are interested in this position.

NESCBWI 2012 Call for proposals

It's official! Today the call for proposals for the 2012 NESCBWI Spring Conference "Keeping it Real: Reality and World-building in Fiction, Nonfiction, and Illustration" is out. 

Reality doesn't often get the spotlight in the post-Harry-Potter world of children's literature, but even in fantasy or highly stylized illustration, a believable world is fundamental. Also, there is so much we all can learn from nonfiction research and writing techniques. Finally, how do you stay realistic and focused on your future in this rapidly evolving industry?

As always, the conference will have a strong focus on craft. This year, we are moving to a new venue with more space available for workshop sessions. We'd like to invite more small, hands-on workshops. Of course, larger lecture-style workshops are still welcome as well.

This is one of the largest regional SCBWI conferences, and last year we sold out the conference in two weeks. We welcome proposals from everyone. We also encourage artists and writers of color, those who are differently abled, and others from underrepresented groups to propose conference workshops.

What YOU Need to know: Important Information

Conference Dates: Friday afternoon through Sunday afternoon, April 20-22, 2012
Conference Location: Sheraton Springfield Monarch Place Hotel, Springfield, MA
To Submit a Proposal: Please complete a conference proposal form. Separate submissions are required for multiple presentations or workshop/intensive versions of the same presentation.

Proposal Due Date: September 16, 2011
Presenter Notification Expected: November 1, 2011

Types of Presentations: 55-minute workshops; 120-minute intensives

 
What are we looking for?

55-minute workshops

• Presentations that relate to our conference theme.
• Presentations that last 55 minutes in their entirety. When planning, leave time for participant questions and any required audiovisual setup.
• A range of presentations for all SCBWI members, including illustrators and writers in all genres.
• Leveled presentations. We are not trying to find one presentation that everyone can attend. Instead, presenters should direct material toward a specific experience level. For example, an "advanced" illustration presentation should not begin with "Why you should carry a sketch book," and a "beginner's" writing workshop should not address marketing a contracted novel. 
• Focused presentations with clear learning outcomes. These should be clear, tangible "final products" that attendees take away. Plan the presentation thinking, "I want participants to leave with these three tools or ideas." A few examples: ideas for a new direction or revision in their own work; increased understanding of a specific genre, style, area of craft, art media, etc.; a step-by-step plan of attack for marketing, revisions, problem-solving, etc.
• Hands-on workshops where attendees spend significant time in writing, illustration, or marketing exercises applying ideas to their own work.
• Lecture-style presentations  with information that participants can take back to their desks to ponder and play with. 
• Presentations that include a range of examples rather than drawing solely from the presenter's experience or body of work.
• Presenters who are published members of SCBWI, as well as editors, agents, MFA graduates, and other industry professionals. Past presentation experience is appreciated.

120-minute intensives

Intensive proposals should meet all of the criteria listed above for 55-minute workshops. Also consider the following:

• 120-minute intensives typically take place on Sunday, and there are fewer slots available for these workshops.
• Two hours are provided, so plan exercises or some interactive element in the workshop. An intensive should not only be a lecture.
• Past presentation experience and in-depth knowledge of the topic are required.
• Partner presentations are welcome.

Note: If you apply to present a 55-minute workshop or a 120-minute intensive and we feel your presentation may better fit the other format, we will let you know!

Selection Criteria and Topics

Every year SCBWI New England receives many excellent proposals, more than can fit into a conference schedule. Therefore, we must choose on the basis of experience, quality, variety, novelty, attendant costs, and other factors. Please use the NESCBWI Workshop Rubric for more explicit selection criteria and standards.

We would love to see presentations on the following topics. If you are an expert on one of these topics, we would love to see your proposal.

• Hands-on writing workshops: tools, tips, outlining, character sketching, etc.
• Hands-on illustration workshops
• Publishing 101 session for authors or illustrators
• Developing an idea from conception to completion
• Nonfiction and fiction research
• Secrets of Story Arc
• How to lay out a picture book dummy
• How to start your own publishing company
  
• Gesture and emotion for illustrators
• School and library visits and promotion
• Writing nonfiction articles and short stories
• Mystery writing
• Creative writing courses in the New England area
• Game plan for leaving a full time job to become a freelancer

I hope to see you there!

Why a Trusted Beta Reader is a Valuable Addition to Your Toolbox!

You’ve completed your manuscript, edited and revised, read it aloud, and now you want to have a trusted reader complete a beta read.

As a writer, I crave feedback from my peers. I want honesty. I want to know what works and what doesn’t. Which all boils down to having another writer to be my beta reader.

Most writers understands that criticism isn’t about the person, but the manuscript. But, sometimes getting criticism is painful (I remember one very specific occasion where I cried) and can be very difficult to hear. Even for a seasoned, well-critiqued writer.

I want honest and well thought out feedback from someone who recognizes structure, story arc, dialogue, developing characters, plot, and who the intended audience is. Their constructive criticism will empower my creativity and bring with it a desire to continue revising until I get it right.

There are numerous ways to find a trusted reader. Recently, I found a writer who does all of this for me. We’ve swapped manuscripts a few times now. I have learned so much about my writing by reading and offering feedback to her about her work.

I have known her for several years and we first met as members of a critique group. I contacted a critique group that was listed on the NESCBWI.com critique group page. They were looking to grow the group but after a short time the group disbanded. To this day, she and I laugh about it. What I ended up with was a wonderful beta reader and a super writer friend. A girl can get lucky!

You might already be a member of a writer's group. But a fresh reader, someone who hasn't heard all about your struggles with the story is essential when you are preparing for a final round of revision before sending your manuscript to agents or editors.

Do you have a beta reader? if so, how did you find them? I'd love to hear you suggestions and tips.

What To Bring To The NESCBWI 2011 Conference

I'm packing for the #NESCBWI11 conference. Packing always stresses me out. Every year, I swear I will not forget my business cards. Did I mention, I hate packing? I can never decide what to bring to wear for the weekend. So, rummaging through the closets began last night. I am almost over-packed, I might just have to stop somewhere on the way to Fitchburg to go shopping. Just in case.

In the meantime, I have to start my list. Every year I forget my business cards. So they are at the top this year. (I just ran out to the car and put them on the front seat.)

CHECK LIST

• Business Cards
• AQQ Schedule
• Copies of AQQ letters
• Copy of Manuscript Critique Submission
• Questions for Critiquer (I wonder who it is?) :)
• Laptop
• Phone
• Power cords
• Camera
• My Own Pillow (Because you just never know where hotel pillows have been!)
• A bottle of wine to share
• Something Silver to wear to celebrate the 25th Anniversary of this conference
• Clothes that I feel Comfortable Wearing!
• Comfortable Shoes
• A SMILE!

I’m sure I forgot something.

What do you usually forget? Tell me. I’ll add it to the list.

E is for Email Queries

Don’t leave! Yes, I used the word query. Truth is, you can’t get published if you don’t query. Most editors and agents prefer this method of submission. It’s green, eco-friendly,  and postage-free.

It’s also so darn easy if you do your homework.

Just like in the “old” days, there are submission guidelines you need to follow. There is no excuse not to know them. Just about everyone has a website or blog where these guidelines can be found. This is not a hardcore, you must do it like this, set of directions.

I'm just offering some common sense things to think about. So here goes.

Use the correct email address. Does it go to a Query@email.com address or to s specific person's email. Make sure you know.

Subject Line - use it. Include the word query, that’s what it is. Not using the word, won’t get them to open the email any faster. Actually, it might be the reason they delete it, unread.

Salutation - be professional. No “Whaat’s up, Dog! Dear Mr. (insert last name), Ms. (insert last name), or if you are on first name basis, Dear (insert name).

Body Text - keep it short and to the point. You know the cliche; hook, line, and sinker. Use it.
    Hook - Exactly what it sounds like, with name of project and page count.
    Line - One paragraph, description or pitch.
    Sinker - Tell them if you have have included sample pages and who you are.

Signature Block - Name and contact information, Include your email, web or blog address, and  a phone number.
    Example:    Samantha Writer

            youremailaddress(@)email.com
            Writetoblog.bloghost.com
            555-555-5555

Know what to include:
Did they ask for a synopsis and the first chapter?
Do you insert into the email or as an attachment?

Everyone has different preferences. Make sure you know them.

Do you have any great email query tips? I would love for you to share them. Post them in comments.

NESCBWI AQQ Sneak Peek Interview with Agent Chris Richman

Do you still want to know more about the agents attending NESCBWI 2011 Celebrating Milestones Conference? Here's a peek at Chris Richman, an agent with Upstart Crow Literary. Want to know something cool about the Upstart Crow Literary Agency? They are entirely green when it comes to their submission policy.

From their website: "My love of books started at an early age. In the second grade I fell in love with the gross and wonderful works of Roald Dahl. On career day in third grade I carried a book and called myself an author. In the fourth grade I was sent to the principal’s office when the teacher discovered me reading Stephen King’s Pet Sematary in the back of the room."

This is his first year participating in the NESCBWI’s Agent Quick Query Event.

Chris Richman

1. What makes for a healthy working relationship between you and your authors?
A good, open line of communication is really important to me. I like to know a client’s expectations, frustrations, goals, and more, to ensure we’re on the same page and I’m doing everything possible to help them succeed. I also really value transparency in my dealings with my clients; they always know where we are with a project, including how far we think it is from being ready to submit, which editors have it, and what sorts of responses we’re getting. I expect the transparency to be reciprocated, too, so that there’s always an honest line of dialogue going back and forth between us. Finally, I truly writers who approach the business of books as just that: a business. Sure, there are personal expectations, successes, and disappointments mixed in, but I value an author capable of rolling with the highs and lows without tipping too far one way or the other.

 
2. What are you always looking for but never receive in a submission?
I can’t say there’s anything I’ve never received, since every project I’ve signed has had a special element that made me want to work with it. I will say, however, that I yearn for those projects that make me bolt up in my chair and shout, “Yes! This is the one!” right out of the gate, usually due to a complex mix of stellar writing, strong plotting, and original ideas. Sadly, that experience doesn’t happen as much as I would like. I do, however, enjoy the prospect that the next submission could be “the one.”

3. What is your agent style?
I consider myself an editorial agent, especially for debut writers. More and more manuscripts from debut writers need to be in pristine shape if they’re going to stand out to an editor. As I said above, I’m also completely transparent in my dealings. And, as much as I value professionalism, I tend to get to know my clients, and let them see aspects of my own silly personality from time to time.
 
4. What do you see as upcoming trends in the industry? What themes do see as having endurance?
I tend not to chase trends too much, especially in young adult. I would, however, like to hope the paranormal trend in YA is dying, but all signs suggest it will keep going strong until someone puts a stake directly into its heart. Dystopian, especially with romantic elements, is still doing pretty well, although I could see that slowing down somewhat in the near future, especially as most houses who want that sort of project now have it. I’d love to see more funny books for boys, like those by Rick Riordan and Jeff Kinney, stay popular.

As for what has endurance: good writing, of course, will always find a home, whether it’s middle grade or young adult, as will strong, believable characters. And with young adult, no matter what you’re writing--be it sci-fi, dystopian, stories with half human half animal hybrids, whatever—a compelling romance will always do a story good (even though romance is not something I typically seek out).
 
5. What would you like to see more of and why?
I honestly really like stories with a timeless feel, that could have been published thirty years ago, or thirty years from now, and still feel relevant. I don’t typically fall for stories tied so much to the present in terms of trends, fashion, music, etc. I’d love to see more fantastic middle grade with standout voices, though those are very difficult to do well. I’m still seeking stories with sports elements, though they have to be about more than simply sports for me to consider taking them on.
 
6. What conferences will you attend this year?
So far I’ve stopped in at the New York National SCBWI, I ventured out to San Diego’s SCBWI conference in February, and I’ll be of course attending the NESCBWI event in May. Unfortunately, I’ve had to turn down a fair number of conferences this year because it feels like everyone I know has chosen 2011 as the year to get married, though I may be able to squeeze in some more conferences toward the end of the year. We’ll see!  
 
7. Is there anything you would like to add?
I’m always hunting for the next great project, and I’m hoping I’ll find some in New England this May!

NESCBWI AQQ Sneak Peek Interview with Agent Jennifer Laughran

In case you didn't sign up for an Agent Quick Query, here's another opportunity to learn more about the agents attending this year's NESCBWI Celebrating Milestones Conference. Jennifer Laughran is an agent with the Andrea Brown Literary Agency, Inc. When she's not at writers conferences, she splits her time between San Francisco, NYC and the Hudson River Valley of NY.

This is Jennifer's third year participating in the NESCBWI’s Agent Quick Query Event. I am so happy to have her back with us again.

Jennifer Laughran

1. What makes for a healthy working relationship between you and your authors?
Open communication! I really can't say that enough.

2. What are you always looking for but never receive in a submission?
I am always looking for totally compelling, unputdownable, but beautifully written books, that make me laugh AND cry at the same time. Sometimes I get them - but I am always looking for more! :-)

3. What is your agent style?
I guess I am... Semi- editorial? I give notes to my authors to help them make their work extra-salable... But if it needed a ton of work, i probably wouldn't have taken it on to begin with.

4. What do you see as upcoming trends in the industry? What themes do see as having endurance?
I am not interested in trends. That said, and unsurprisingly I think, the things that are selling the most are the books that lie on the intersection of "beautifully written" and "high concept" -- I'd say the ease of selling is directly proportional to the difficulty the reader has setting the book down. Greater unputdownablity = faster sale. Makes sense, right?

5. What would you like to see more of and why?
I would like to see more of things that are upbeat. Also tearjerkers. Also super-romantic stories. Also thrilling. Also truly, genuinely scary. I am not so interested in grim, gloomy or quiet.

6. What conferences will you attend this year?
Not sure about Fall yet, but so far on the spring/summer agenda after NESCBWI:

* June 11, 2011: SCBWI Eastern NY conference, Poughkeepsie NY
* July 13, 2011: LeakyCon Lit Day, Orlando FL

7. Is there anything you would like to add?
Writers can check out my blog: http://literaticat.blogspot.com
or follow me on twitter: @literaticat

SCBWI New England's 2011 Conference ~ Registration Opens at 12:01 A.M. February, 15th!

New England SCBWI 2011 Conference ~ Don't miss this 25th Conference Anniversary Event

The New England chapter of SCBWI's 2011 Conference, Celebrating Milestones, begins open registration at 12:01 A.M on February 15th. Greg R. Fishbone and Kathryn Hulick Gargolinski, , the 2011 Conference Co-Directors are busy planning New England's 25th annual conference. From May 13 to 15th, we will be filling the Marriott Courtyard in Fitchburg, MA, with inspiring and informative content for authors and illustrators. Conference highlights will include:

* Keynote addresses from Jane Yolen, Tomie DePaola, Lin Oliver, Steve Mooser, and Harold Underdown

* 7 agents, 13 editors, and 2 art directors on our critique faculty

* More Agent Quick Query slots

* Marketing Consultations with Susan Raab Peer Critiques

* Special Interest Group meetings

* New England SCBWI History Panel

* Poster Showcase

* Two Illustrators Academies

* Conference podcast by Katie Davis of "Brain Burps About Books!"

* The usual assortment of amazing workshops

* A screening of "Library of the Early Mind" followed by a discussion panel

* A Silver Anniversary Ball and cabaret

* ...and more!

We recommend registering as early as possible on or after February 15th to ensure your choice of programming.

To register for the conference, visit the registration site at https://www.regonline.com/nescbwi11

Please note that both manuscript and portfolio critique registration is OFFLINE this year. Critique slots will be assigned on a first-come, first-served basis, and are not guaranteed.

Check the New England SCBWI website (http://www.nescbwi.org/conferences/spring/) for updates and drop any questions to our online FAQ at http://www.formspring.me/nescbwi

Twitter users can follow the New England SCBWI Twitter account, (@nescbwi), and use the #nescbwi11 hash-tag to discuss the conference.

Hope to see you in Fitchburg! 

NESCBWI 2011 Agent Quick Query Sneak Peek Interview with Agent Stephen Fraser

With registration opening on February 15th for the NESCBWI 2011 Celebrating Milestones Conference, I wanted to give everyone a chance to find out what the 2011 Agent Quick Query agents are thinking. 

First up, Stephen Fraser of Jennifer DeChiara Literary Agency.

Stephen Fraser

1.  What makes for a healthy working relationship between you and your authors?

Clients need to know that the onus is one them to stay in touch. I will stay in touch with clients as I submit manuscripts and then as I get rejections or offers. I am good about responding right away. But an e-mail or call from a client as a reminder doesn’t hurt; and I don’t mind.  If a client hasn’t heard from me for months, that is really their fault. With more than 40 clients to handle, I can’t be in touch with all of them all the time. Except, of course, if I am selling all their books!

2.  What are you always looking for but never receive in a submission?

I have been extremely fortunate.  The most wonderful manuscripts have found their way to me…and into publication. So, I can’t complain. We had a PEN award winner last year and a Newbery Honor winner this year. Yahoo!

3.  What is your agent style?

I am quick to respond, honest in feedback, friendly with editors - albeit persistent. One of my clients called me "a true gentleman of the business," which was extremely kind. But I like to think it's true. I do think civility is important. And I think Fun is an important part of this whole thing, too. It's a joyful thing to be involved with children's books.

4.  What do you see as upcoming trends in the industry? What themes do you see as having endurance?

Y.A. has been having a comeback, thanks to certain vampires.  I think paranormal is probably here to stay, but I think vampires may be replaced by other creatures. I’m frankly am bored by the dystopian novel, because I think it’s too easy to get depressed about the world right now.  I’d rather see someone try something bolder like optimism or humor.  Middle grade certainly is not going anywhere, either historical or contemporary.  Chapter books are becoming more of a staple.  And I would [like] to believe that picture books, lyrical and imagistic and beautiful, will always have a place.

5.  What would you like to see more of and why?

I’d like to see more mysteries and ghost stories (really scary ghost stories). Love stories are always fun. Nonfiction that is one of a kind and fresh is always welcome. I adore poetry – though it can be hard to sell (I’ll try!) And funny books, truly funny books.  

6.  What conferences will you attend this year?

Right now I have three invitations, including Montana and Iowa SCBWI. I’ll probably accept a couple more.

So Many Giveaways!

In the last few minutes, the number of giveaways by authors, bloggers and publishers seems to have grown.  So here is a quick list of the last five just tweeted.

goodreads Giveaway ! Enter to win an advance copy of Divergent.  http://bit.ly/dNsUL1

WritersDigest Writer's Digest ~ Colleen Houck is giving away a copy of her YA fantasy, TIGER'S CURSE: http://bit.ly/eXwund

Lit & Pub peeps: I Want to Design Your Book Cover for Free. (giveaway judged by @mansionstreet) Enter to win: http://tinyurl.com/49gdp7m

Faboolosity ~ I Want to Design Your Book Cover for Free.

http://bit.ly/hAOoQM

wastepaper prose and other literary woes ~ Mockingjay and Hunger Games Swag Giveaway ~  http://bit.ly/dQjcB9

Chronicle books ~ Why did the chicken cross the road? http://ow.ly/3HvZd  All you need to do is post your favorite “Why did the chicken cross the road?” joke by Thursday, January 27th and we’ll pick one winner at random to win a FREE autographed copy of Chicken Big by Keith Graves!

Good Luck!