Showing posts with label Conference. Show all posts
Showing posts with label Conference. Show all posts

Friday, August 10, 2012

Final Call for 2013 NESCBWI Conference Proposals


August 27th brings with it the close of
2013 New England SCBWI Conference Proposals,
so take a moment and submit your most awesome idea today! 
Proposal Due Date: August 27, 201
Presenter Notification Expected: October 15, 2012
For Additional Information go to NESCBWI

Presenters from New England who send in more than one, well-crafted and detailed proposal will receive preferential consideration. Also, you may be asked to present your workshop twice during the conference. You might consider doing a 120 or 180 minute presentation and then tweaking it to fit a 55 minute format. With so much talent in our New England and surrounding regions, bringing you together to share knowledge and skill is what makes New England SCBWI the largest regional conference.
Types of Presentations:
55-minute workshops; 120-minute intensives; 180 studios w/15 minute break.

To Submit a Proposal: Please complete a conference proposal form. Separate submissions are required for multiple presentations or workshop/intensive versions of the same presentation. 

Selection Criteria and Topics
Every year SCBWI New England receives so many excellent proposals, more than can fit into a conference schedule. Therefore, we must choose on the basis of experience, quality, variety, novelty, attendant costs, and other factors. Please use the 2013 NESCBWI Workshop Rubric for more explicit selection criteria and standards.

We would love to see presentations on the following topics. If you are an expert on one of these topics, we would love to see your proposal.
  • Hands-on writing workshops that spotlight elements of craft: outlining, story arc, tools, tips, character, dialogue, sketching, etc.
  • Hands-on illustration workshops
  • Publishing 201 session for intermediate authors or illustrators
  • Developing an idea from conception to completion
  • How to complete a Detailed Novel Outline
  • Secrets of Story Arc
  • How to lay out a picture book dummy
  • How to start your own publishing company
  • Gesture and emotion for illustrators
  • School and library visits and promotion
  • Grassroots Marketing strategies to libraries and other overlooked venues
  • Writing nonfiction articles and short stories
  • Mystery writing, organizing your mystery
  • Planning Out Clues
  • How to write chapter books
  • How to design an eBook
  • Writing Teen Romance
  • What I publish/represent and why
  • Historical Fiction for middle grade and YA - What makes it work!
  • How to reinvent yourself as a writer and reignite your career
  • What exactly happens at BEA, ALA, Frankfurt, Bologna and how can it help you with book sales? 
  • How to write suspense for MG & or YA
  • Illustration techniques - making the magic happen
  • Defining the terms: High Concept, Realistic Fiction, Magical Realism, etc.
Got Questions? Ask in the comments section below!

Wednesday, June 13, 2012

Call for Proposals 2013 NESCBWI Conference



Call for Proposals NESCBWI 2013 Conference Word-By-Word: The Art Of Craft
It's that time of year when we start looking for the amazing workshops, intensives, and panels for next year's conference.

Here is what we are looking for:

The workshop committee of New England SCBWI welcomes proposals for the 2013 Spring conference, "Word by Word: The Art of Craft."

Art of craft is always at the forefront of a venue like ours. This year’s focus will be on improving ones crafting the various parts of writing and illustrating NEEDS MEGA WORK HERE!

We'd like to invite more intensive, hands-on workshops and advanced and master level studio proposals that focus on a specific aspect of the craft and would love to see more than one proposal from each you. Of course, larger lecture-style workshops are still welcome as well.

This is one of the largest regional SCBWI conferences, and last year we sold out the conference in two weeks. We welcome proposals from everyone involved in the world of children’s writing and publishing.

Important Information
Conference Dates: Friday afternoon through Sunday afternoon, May 3-5, 2013
Conference Location: Sheraton Springfield Monarch Place Hotel, Springfield, MA
To Submit a Proposal: Please complete
a conference proposal form. Separate submissions are required for multiple presentations or workshop/intensive versions of the same presentation.
Proposal Due Date: August 27, 2012
Presenter Notification Expected: October 15, 2012
Types of Presentations: 55-minute workshops; 120-minute intensives; 180 studios w/15 minute break

We will give presenters who send in more than one, well-crafted and detailed proposal preferential consideration. Also, you may be asked to present your workshop twice during the conference.

NOTE: Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, Advanced, or Master)

55-minute workshops
What are we looking for?
  • Presentations that relate to our conference theme of Word-By-Word: The Art of Craft.
  • A wide range of craft related presentations for all SCBWI members, including illustrators and writers in all genres.
  • Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, advanced, or Master)
  • Leveled presentations. We are not trying to find one presentation that everyone can attend. Instead, presenters should direct material toward a specific experience level. For example, an "advanced" illustration presentation should not begin with "Why you should carry a sketch book," and a "beginner's" writing workshop should not address marketing a contracted novel. 
  • Presentations that last 55 minutes in their entirety. When planning, leave time for participant questions and any required audiovisual setup.
  • Intensives that last 120 minutes and focus on specific pieces of the craft. i.e. story arc, character development, sex in YA, etc.
  • Focused presentations with clear learning outcomes. These should be clear, tangible "final products" that attendees take away. Plan the presentation thinking, "I want participants to leave with these tools or a real understanding of this piece of the craft." A few examples: How to map out an in-depth revision, a step-by-step outline or map, creating a storyboard, A first draft of a non fiction proposal, how to develop initial sketches, etc.
  • Hands-on workshops where attendees spend significant time working on current writing, illustration, or marketing project so they can apply your presentation content to their own work.
  • Engaging lecture-style presentations filled with information that participants can take back to their desks to ponder and play with. 
  • Presentations that include a range of examples. Attendees have expressed they want less presentations that draw solely from the presenter's experience or body of work.
  • Presenters who are published members of SCBWI, as well as editors, agents, MFA graduates, and other industry professionals. Past presentation experience is appreciated.

NOTE: Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, Advanced, or Master)

120-minute intensives
Intensive proposals should meet all of the criteria listed above for 55-minute workshops. Also consider the following:
  • 120-minute intensives typically take place on Sunday, but there will be several slots for Saturday Advanced and Master level workshops.
  • Two hours are provided; so plan exercises or some interactive element in the workshop. An intensive should not only be a lecture.
  • Presentations that include a range of examples. Attendees have expressed they want less presentations that draw solely from the presenter's experience or body of work.
  • Past presentation experience and in-depth knowledge of the topic are required.
  • Partner presentations are welcome.

Note: If you apply to present a 55-minute workshop or a 120-minute intensive and we feel your presentation may better fit the other format, we will let you know!


NOTE: Be very specific when designating level of experience, pick only one level. (Beginner, Intermediate, Advanced, or Master)

180-minute Studios
Studio proposals should meet all of the criteria listed above for both 55-minute and 120-minute workshops. But you must also consider the following:
  • 180-minute, 12 person studios will focus on Advanced and Master level authors.
  • Three hours are provided, so plan accordingly for intensive working sessions.
  • These include attendees submitting samples for you to review ahead of time.
  • Past presentation experience and in-depth knowledge of the topic are required.
  • Partner presentations are welcome as long as both are willing to work with a larger number of attendees. Total number in studio would be 24.

Note: If you apply to present a 55-minute workshop or a 120-minute intensive and we feel your presentation may better fit the other format, we will let you know!


Selection Criteria and Topics
Every year SCBWI New England receives many excellent proposals, more than can fit into a conference schedule. Therefore, we must choose on the basis of experience, quality, variety, novelty, attendant costs, and other factors. Please use the 2013 NESCBWI Workshop Rubric for more explicit selection criteria and standards.

We would love to see presentations on the following topics. If you are an expert on one of these topics, we would love to see your proposal.
 
  • Hands-on writing workshops: outlining, story arc, tools, tips, character sketching, etc.
  • Hands-on illustration workshops
  • Publishing 201 session for intermediate authors or illustrators
  • Developing an idea from conception to completion
  • Secrets of Story Arc
  • How to lay out a picture book dummy
  • How to start your own publishing company
  • Gesture and emotion for illustrators
  • School and library visits and promotion
  • Grassroots Marketing strategies to libraries and other overlooked venues
  • Writing nonfiction articles and short stories
  • Mystery writing
  • How to write chapter books
  • How to design an eBook

Wednesday, March 28, 2012

The Approaching NESCBWI Conference

As the conference gets closer (only 22 days), my family wonders what I'm actually doing when I say I am working on conference stuff. My daughter has dubbed Kathryn and I, "Thing 1 & Thing 2." I doubt you'll find us wearing red catsuits at the conference with numbers on them.

I do hope anyone with a Cat in the Hat hat, will bring it to the conference this year. If I had my way, we'd be selling them. I've always loved the red and white stripes and the jaunty way that cat strutted around the page.

Anyone out there know where I can get a good deal on 650 Cat in the Hat hats?

 

You can order your  CAT IN THE HAT hat Here
(Disclaimer: I get nothing for promoting this website. If you find it cheaper elsewhere, go for it!)

Tuesday, December 6, 2011

Co-Directing a Conference

I am so excited to be co-drecting the 2012 NESCBWI "Keeping it Real" Conference. The past eight moths have flown by and now we are truly in the throes (it's like giving birth, Really) of getting it done.

I've traveled to the heart of Springfield, MA, twice, to tour the Sheraton Monarch Hotel and plan out where each workshop, academy, and event will take place. It is an amazing building, with an amazing soaring atrium, plenty of comfortable seating for intimate conversations or robust group gatherings between workshops.

There are some excellent restaurants you can walk to if the weather is nice. Here are a few you can check out now.
1000 West Columbus Avenue
(413) 737-5800 · pazzohof.com
Category: Italian Restaurant
 

201 Worthington Street,
(413) 736-6000 · theobbq.com
Category: Barbecue Restaurant

 
1390 Main Street
(413) 737-7373 · nadimsmediterranean.com
Middle Eastern · Lebanese · Eastern cuisine
 

1688 Main Street
(413) 732-8011 · sitarindianrestaurant.net
spices · tandoori · curry

1000 West Columbus Avenue
(413) 746-6299 · maxtavern.com
8 Fort Street
(413) 788-6628 · studentprince.com
Category: German Restaurant Deli 
 


137 State Street
(413) 301-6286 · montenia.net

Down Home - sweet potato pie · mac and cheese · soul food · comfort cuisine · the ribs

91 State St.
(413) 306-3151 · dillweedzcafe.com


1414 Main Street
(413) 746-1025 · cornerstonecafe.net

1500 Main Street, Springfield, MA
(413) 746-9435

The train and bus stations are approximately 4 blocks from the hotel. So get planning! Want to reserve your room now? Go to NESCBWI 2012 Conference, Springfield, MA.

See you in April!

Wednesday, November 2, 2011

NESCBWI 2012 Conference


It’s closer than you think….


Tuesday, October 25, 2011

NESCBWI 2012 Conference Invitation

You should be checking your mailboxes starting next week.
You've seen the front.



But ... if you turn it over...








You will see what's happening in April 20-22, 2012 at the
Sheraton Springfield
Monarch Place, Springfield, MA.



Monday, October 17, 2011

Here it is! NESCBWI 2012 "Keeping it Real" Conferenece

I can only give you a glimpse of things to come but we did change things up.

Registration opens January 23, 2012. Get your manuscripts and agent quick queries ready! Deadlines for submitting for critiques close early for the upcoming conference due to the dates being in April.
















Kudos to Jen Carson for all she's done with her work on the newest version of the postcard and in such a teeny-weenie amount of time.

Friday, August 19, 2011

NESCBWI 2012 Conference Reminder


I'd like to remind everyone that proposals for workshops at the 2012 NESCBWI conference are due September 16th! Use the link on this page to submit one:

http://www.nescbwi.org/2011/07/nescbwi-2012-conference-call-f.php

Also, we're seeking volunteers for the 2012 conference. Please fill out this survey if you are interested in helping out:

http://www.nescbwi.org/2011/08/call-for-conference-volunteers.php

Friday, July 1, 2011

NESCBWI 2012 Call for proposals

It's official! Today the call for proposals for the 2012 NESCBWI Spring Conference "Keeping it Real: Reality and World-building in Fiction, Nonfiction, and Illustration" is out. 

Reality doesn't often get the spotlight in the post-Harry-Potter world of children's literature, but even in fantasy or highly stylized illustration, a believable world is fundamental. Also, there is so much we all can learn from nonfiction research and writing techniques. Finally, how do you stay realistic and focused on your future in this rapidly evolving industry?

As always, the conference will have a strong focus on craft. This year, we are moving to a new venue with more space available for workshop sessions. We'd like to invite more small, hands-on workshops. Of course, larger lecture-style workshops are still welcome as well.

This is one of the largest regional SCBWI conferences, and last year we sold out the conference in two weeks. We welcome proposals from everyone. We also encourage artists and writers of color, those who are differently abled, and others from underrepresented groups to propose conference workshops.

What YOU Need to know: Important Information

Conference Dates: Friday afternoon through Sunday afternoon, April 20-22, 2012
Conference Location: Sheraton Springfield Monarch Place Hotel, Springfield, MA
To Submit a Proposal: Please complete a conference proposal form. Separate submissions are required for multiple presentations or workshop/intensive versions of the same presentation.
Proposal Due Date: September 16, 2011
Presenter Notification Expected:
November 1, 2011
Types of Presentations: 55-minute workshops; 120-minute intensives
 
What are we looking for?

55-minute workshops


  • Presentations that relate to our conference theme.
  • Presentations that last 55 minutes in their entirety. When planning, leave time for participant questions and any required audiovisual setup.
  • A range of presentations for all SCBWI members, including illustrators and writers in all genres.
  • Leveled presentations. We are not trying to find one presentation that everyone can attend. Instead, presenters should direct material toward a specific experience level. For example, an "advanced" illustration presentation should not begin with "Why you should carry a sketch book," and a "beginner's" writing workshop should not address marketing a contracted novel. 
  • Focused presentations with clear learning outcomes. These should be clear, tangible "final products" that attendees take away. Plan the presentation thinking, "I want participants to leave with these three tools or ideas." A few examples: ideas for a new direction or revision in their own work; increased understanding of a specific genre, style, area of craft, art media, etc.; a step-by-step plan of attack for marketing, revisions, problem-solving, etc.
  • Hands-on workshops where attendees spend significant time in writing, illustration, or marketing exercises applying ideas to their own work.
  • Lecture-style presentations  with information that participants can take back to their desks to ponder and play with. 
  • Presentations that include a range of examples rather than drawing solely from the presenter's experience or body of work.
  • Presenters who are published members of SCBWI, as well as editors, agents, MFA graduates, and other industry professionals. Past presentation experience is appreciated.

120-minute intensives

Intensive proposals should meet all of the criteria listed above for 55-minute workshops. Also consider the following:
  • 120-minute intensives typically take place on Sunday, and there are fewer slots available for these workshops.
  • Two hours are provided, so plan exercises or some interactive element in the workshop. An intensive should not only be a lecture.
  • Past presentation experience and in-depth knowledge of the topic are required.
  • Partner presentations are welcome.
Note: If you apply to present a 55-minute workshop or a 120-minute intensive and we feel your presentation may better fit the other format, we will let you know!

Selection Criteria and Topics

Every year SCBWI New England receives many excellent proposals, more than can fit into a conference schedule. Therefore, we must choose on the basis of experience, quality, variety, novelty, attendant costs, and other factors. Please use the NESCBWI Workshop Rubric for more explicit selection criteria and standards.

We would love to see presentations on the following topics. If you are an expert on one of these topics, we would love to see your proposal.
  • Hands-on writing workshops: tools, tips, outlining, character sketching, etc.
  • Hands-on illustration workshops
  • Publishing 101 session for authors or illustrators
  • Developing an idea from conception to completion
  • Nonfiction and fiction research
  • Secrets of Story Arc
  • How to lay out a picture book dummy
  • How to start your own publishing company
  • Gesture and emotion for illustrators
  • School and library visits and promotion
  • Writing nonfiction articles and short stories
  • Mystery writing
  • Creative writing courses in the New England area
  • Game plan for leaving a full time job to become a freelancer

I hope to see you there!

Saturday, May 21, 2011

What Are You Waiting For? NESCBWI 2012 Conference

If you were in attendance at last weekend’s NESCBWI 2011 Conference in Fitchburg, MA., I want to hear from you!

  • Tell me what you loved.
  • Tell me what you didn’t love.
  • Did you step our of your comfort zone and introduce yourself to someone new?

The NESCBWI 2012 Conference - Keeping it Real: reality and world building in nonfiction, fiction, and illustration is all set for April 20-21, 2012 and will take place at the Sheraton Hotel of Springfield, MA, so mark your calendars.

Tell me what you would like to see at next year’s conference.

Now think about this.
Do you have what it takes to be a workshop presenter? Start putting your proposal together. The call for proposals will go out sometime mid to late June. Be ready to submit, because we want you!

Thursday, April 21, 2011

Q is for Questions Asked by First Time Conference Attendees



Are you going to your first writer’s conference this year? Are you wondering how to get the most from your first time?

If your first time is a large regional conference, I recommend you focus on craft. The New England chapter of the Society of Children’s Book Writer’s and Illustrators Conference is designed to have something for all levels of experience.

For first-timers, there is a Friday afternoon workshop, Conference Orientation. This workshops is an excellent way to get a quick over view and great tips on making your first conference work for you.

Peer Critique Workshop will explain how to give and receive critiques. Other writers are some of the best sources for Learning from. Most have been exactly where you are, at the beginning of their writing journey. And remember, there is something to be learned from each person, even if you don’t agree with their style or comments. Dig deep and be objective. Take what you learn home and start your own critique group.

I hope you registered for Saturday’s Publishing Basics: The Myths and Realities. You’ll learn about the basics of manuscripts, researching and finding publishers, agents, how to handle rejection, and what to do when you sell your first book.

Sunday has a great workshop for beginning illustrators. The Illustrator’s Academy focus on revision in illustration.

Most of all, relax and smile. Say hello and introduce yourself. We’ve all been a beginner at something. Writing can be solitary but that doesn’t mean you are alone.

What tips and suggestions can you give first time Writer conference attendees?

Friday, April 8, 2011

Gratitude

Sometimes I have to be hit in the head with it.










Today I share it.

I am grateful to my husband for allowing me the flexibility to pursue my dreams. I’m grateful for my children who love to travel, aren’t followers, dream big, and are voracious readers.

I am especially grateful for my writer friends. They challenge my writing, expect nothing but the very best, and always tell me the truth. Even when I don’t want to hear it.

I am truly and sincerely grateful for the unexpected encounters with some of the most amazing people from around the world. Whether here in the United States, or when abroad, or via the web. These are the people who end up never knowing they have had a profound affect on me and changed me. Given me some small thing, whether a word of encouragement or a smile, that has made me a better person.

Thank you!


Thursday, February 24, 2011

NESCBWI AQQ Sneak Peek Interview with Agent Linda Pratt

We have many so many wonderful agents attending this year's NESCBWI 2011 Celebrating Milestones Conference. Next up on the Sneak Peek tour, Linda Pratt.

Recently, Linda Pratt and Marcia Wernick announced the establishment of the Wernick & Pratt Agency, a full-service agency dedicated to representing authors and illustrators of children's books.  

From their website, http://www.wernickpratt.com "Our philosophy is that we represent people rather than merely the books they create, so our approach to representation is to create strategies for our clients' long term careers."

Linda Pratt















1. What makes for a healthy working relationship between you and your authors?
For me a healthy working relationship seems to come down to three things.  First and foremost is mutual trust.  If that isn’t there, I don’t see how a relationship can be successful. The second is that it always helps to like one another. Not necessarily “best friends” like, but it’s easier to weather the inevitable bumps along the way if you start out liking one another. Lastly, there’s flexibility. An agent should be flexible in meeting their clients needs since over the course of a career those are bound to change, and authors and illustrators are likely to be the most successful when they, too, are flexible in adjusting to the changing markets so that their agent has the tools to create additional opportunities for them when needed. 

 
2. What are you always looking for but never receive in a submission?

I’ve been fortunate enough to work with some really talented first time authors so I don’t think I can say that I’ve looked for something in submissions that I’ve never received. However, the things I do always hope to see in a submission are voice and a clear sense of what’s at stake for the main character:  


Voice – What is the author revealing to me about this character that is going to make me want to know them for the next 150 or so pages?  It’s like a first date; I don’t want to know everything there is to know by the goodnight kiss, but I do want to some well-chosen details that’ll have me agreeing to a second date so I can find out more.
 

Clear Stakes – I want to feel the characters sense of triumph or loss if things go one way or the other.  For that to happen there has to be a clear sense of what’s at play.  Kind of like a seesaw. The conflict is the weight in the middle that can shift to one side or the other depending on what influences ultimately win out. 
 
3. What is your agent style?
Although I tailor my style to each individual client, overall I take a long view in working with clients since I want to work with them for their careers.  So there are a series of things I need to know. What are their goals - both immediate and long term? What are their financial needs? What time do they have to devote to their creative lives with their other professional, family and or personal commitments? What’s realistic once we start putting all these pieces together?  Then it comes down to the nuts and bolts work. How do we try to get them where they want to go?  This tends to involve a lot editorial work, as well as, advising on what projects to pursue, possible networking opportunities, scheduling issues, and many other day to day decisions that fit into the long term career picture. It’s a work in progress that isn’t written stone since life and business are ever-changing. 
 
4. What do you see as upcoming trends in the industry? What themes do see as having endurance?
I think you’ll start to see picture books acquisitions being evaluated differently. With the increase in the e-book and apps markets, a picture book’s adaptability to the “enhanced/enriched” e-book and/or app format will likely play an ever more prominent role in discussions. I’m not sure that’s a particularly good or bad thing, but being able to sell well in these formats is likely going to be a key deciding factor in acquisition. As far as the next theme trend in children’s books, I don’t think I’m prescient enough to predict that. I remember when mysteries in middle grade were going to be all the rage 10 or so years ago. They never went away as far as I could tell, nor did they become quite the rage either.
 

On themes with endurance, however, books that master the classic themes: true love always wins out, star-crossed lovers, triumph over oppression, blood is thicker than water, etc. will always endure. The trick is to find a fresh way to present them. If you think about it, every book that’s begun a thematic trend in recent years incorporates predominant classic themes be it Harry Potter, The Hunger Games, Twilight and on. It’s the books that lose sight of that fact in their attempt to just mimic the thematic trend that’ll fade.   
 
5. What would you like to see more of and why?

I would like to see the inventiveness of subject matter and approach to storytelling that’s been going on in YA emerge more in the middle grade market. One of the great things we’ve seen happen in YA is how arbitrary that upper age limit on the genre is. Many adult women have discovered these books and have become devoted readers.  Harry Potter showed us that middle grade can have the same elasticity in readership, but wouldn’t it be wonderful to see more of that happening?  

 
But that’s my broad response and you probably really want to know what I’d specifically like to see. In terms of my personal tastes, the kinds of things that draw me are: stories about kids that are straddling a major transition in life ( a tween who doesn’t really want to release girlhood when her core friends suddenly cross the line to teens or a teen who isn’t going to college when everyone else around them is), magical realism, unique cultural perspectives, humorous voices, historical fiction on an event or era that hasn’t been overly covered already, memorable supporting characters, sibling stories that go deeper than the stereotypical love/hate relationship, and stories from a viewpoint not often seen in literature.  

 
6. What conferences will you attend this year?
In addition to NESCBWI, which I’m thrilled to be invited to, I will be attending the Kansas SCBWI Fall Conference and SCBWI Southern Breeze Fall Conference.   

 
7. Is there anything you would like to add?

I’ve tried to answer the questions about trends, tastes, and what attracts me in a submission in detail because I know it helps, and I hope that my answers have given a better sense of me. However, if you’re a writer who feels you want to share your work with me, but don’t see it as fitting in with my answers to the questions here, please don’t take these as an absolute definition of what might make me go weak at the knees. I would love to be surprised by a perfect manuscript that I have no idea I’ve been waiting to get! 

Tuesday, February 22, 2011

NESCBWI AQQ Sneak Peek Interview with Agent Chris Richman

Do you still want to know more about the agents attending NESCBWI 2011 Celebrating Milestones Conference? Here's a peek at Chris Richman, an agent with Upstart Crow Literary. Want to know something cool about the Upstart Crow Literary Agency? They are entirely green when it comes to their submission policy.
From their website: "My love of books started at an early age. In the second grade I fell in love with the gross and wonderful works of Roald Dahl. On career day in third grade I carried a book and called myself an author. In the fourth grade I was sent to the principal’s office when the teacher discovered me reading Stephen King’s Pet Sematary in the back of the room."


This is his first year participating in the NESCBWI’s Agent Quick Query Event.
Chris Richman
















1. What makes for a healthy working relationship between you and your authors?
A good, open line of communication is really important to me. I like to know a client’s expectations, frustrations, goals, and more, to ensure we’re on the same page and I’m doing everything possible to help them succeed. I also really value transparency in my dealings with my clients; they always know where we are with a project, including how far we think it is from being ready to submit, which editors have it, and what sorts of responses we’re getting. I expect the transparency to be reciprocated, too, so that there’s always an honest line of dialogue going back and forth between us. Finally, I truly writers who approach the business of books as just that: a business. Sure, there are personal expectations, successes, and disappointments mixed in, but I value an author capable of rolling with the highs and lows without tipping too far one way or the other.

 
2. What are you always looking for but never receive in a submission?
I can’t say there’s anything I’ve never received, since every project I’ve signed has had a special element that made me want to work with it. I will say, however, that I yearn for those projects that make me bolt up in my chair and shout, “Yes! This is the one!” right out of the gate, usually due to a complex mix of stellar writing, strong plotting, and original ideas. Sadly, that experience doesn’t happen as much as I would like. I do, however, enjoy the prospect that the next submission could be “the one.”

3. What is your agent style?

I consider myself an editorial agent, especially for debut writers. More and more manuscripts from debut writers need to be in pristine shape if they’re going to stand out to an editor. As I said above, I’m also completely transparent in my dealings. And, as much as I value professionalism, I tend to get to know my clients, and let them see aspects of my own silly personality from time to time.
 
4. What do you see as upcoming trends in the industry? What themes do see as having endurance?
I tend not to chase trends too much, especially in young adult. I would, however, like to hope the paranormal trend in YA is dying, but all signs suggest it will keep going strong until someone puts a stake directly into its heart. Dystopian, especially with romantic elements, is still doing pretty well, although I could see that slowing down somewhat in the near future, especially as most houses who want that sort of project now have it. I’d love to see more funny books for boys, like those by Rick Riordan and Jeff Kinney, stay popular.

As for what has endurance: good writing, of course, will always find a home, whether it’s middle grade or young adult, as will strong, believable characters. And with young adult, no matter what you’re writing--be it sci-fi, dystopian, stories with half human half animal hybrids, whatever—a compelling romance will always do a story good (even though romance is not something I typically seek out).
 
5. What would you like to see more of and why?
I honestly really like stories with a timeless feel, that could have been published thirty years ago, or thirty years from now, and still feel relevant. I don’t typically fall for stories tied so much to the present in terms of trends, fashion, music, etc. I’d love to see more fantastic middle grade with standout voices, though those are very difficult to do well. I’m still seeking stories with sports elements, though they have to be about more than simply sports for me to consider taking them on.
 
6. What conferences will you attend this year?
So far I’ve stopped in at the New York National SCBWI, I ventured out to San Diego’s SCBWI conference in February, and I’ll be of course attending the NESCBWI event in May. Unfortunately, I’ve had to turn down a fair number of conferences this year because it feels like everyone I know has chosen 2011 as the year to get married, though I may be able to squeeze in some more conferences toward the end of the year. We’ll see!  
 
7. Is there anything you would like to add?

I’m always hunting for the next great project, and I’m hoping I’ll find some in New England this May!